![]() ![]() The whiplash between these artists was enough to give viewers a concussion disorder. We got a few lame pyrotechnics, an almost entirely female audience gathered around the stage jumping and clamoring for Adam Levine like they were paid to, a SpongeBob SquarePants introduction, and performances by Travis Scott and Atlanta’s own Big Boi shoehorned in between some of Levine’s crooning. There was almost no acknowledgement in this set that it was taking place on the largest annual stage in America. #HALO BEYONCE PIANO SHEET MUSIC CRACK#Maroon 5’s halftime show was exactly like all of Maroon 5’s music: so safe and antiseptic that you hardly remember it’s there until you’re watching a Super Bowl halftime show and you realize you know every single one of the songs and you want to crack yourself over the head with the Rock Band guitar gathering dust in your closet. ![]() To make it worse, the people on the field appeared to be moving around carrying fluorescent light bulbs. Sure, it’s a popular genre, but a huge chunk of the audience had no clue what “Tuckered Out” or “It’s a Little Too Late” were, or why they needed to care about bland smiling girls in 10-gallon hats. There is nothing sadder than a country spectacular, especially when the most imaginative performance available is a horde of people dressed as cowboys and cowgirls. Clint Black, Tanya Tucker, Travis Tritt, and the Judds (1994) I would have given anything to hear “ Sussudio” - instead, we got Phil Collins in a backwards Kangol hat and the world’s saddest cargo pants, singing something called “Two Worlds.” Oh, and Edward James Olmos kept coming out to offer weird narration like, “As it does every thousand years, the gateway of time has opened once again to give us hope.” Thanks, but no thanks.Ģ9. To make it even worse, each performer sang an original song, so the audience didn’t recognize any of it. The first thing you need to understand about this halftime show: Disney owns ABC, so they decided to hijack 12 minutes of America’s time for a huge commercial for some Cirque du Soleil rip-off called the “Disney Millenium Performance.” There were a bunch of puppets and people in crazy costumes, which was kind of cool, but they all looked like robot overlords from a machine future that was obsessed with New Age healing and wheatgrass shots. Phil Collins, Christina Aguilera, Enrique Iglesias, and Toni Braxton (2000) That’s the quality we’re looking for above all, as we rank all of the Super Bowl halftime shows since 1993, from worst to best.ģ0. The mode has always been pastiche, combining disparate elements into a cohesive whole that celebrates American culture. In the decades since Jackson created the halftime show as we know it, the Super Bowl has run through remarkably different eras of performance - the millennial MTV revue, the classic-rock revival of the late aughts, the pop divafication of recent years - but tradition and purpose unite them all. ![]() That’s the year when Michael Jackson turned the Super Bowl halftime show into must-watch television. For decades, the show would simply feature a college marching band or two, with a performance by Andy Williams or Up With People tossed in for good measure, but that all changed in 1993. Photo: Kevin Mazur/Getty Images for Roc Nationįootball fans might not realize it, but plenty of Americans only attend Super Bowl parties for seven-layer dip, liberal drinking, and the nationally televised pop concert otherwise known as the Super Bowl halftime show. Blige, and Snoop Dogg perform at the 2022 Super Bowl halftime show. ![]()
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